ThndrVerb Algo Reverb

THNDRVERB is a flexible algorithmic reverb processor for your personal needs for room shapes with various reverberation types. This is your new Reverb-companion effect for Reason Rack.

The main section of this device is the ALGOVERB section. It includes 25 categorized reverberation modes from classical rooms and halls to various places and well-known hardware reverberation algorithms. It includes Rooms, Halls, Plates and Places. All ALGOVERB reverberation modes are algorithmic reverberations, no one IR impulse is used.

ALGOVERB can be used in Main Only mode (when all other sections is disabled), or in Parallel and Feedback modes with the next sections: Main & Feedback Tone, FeedVerb, FeedShift and Magnet 8- Head Tap Delay.

The TONE section helps to improve your signal for the Main and Feedback routing with Low/Mid/High settings like Mid EQ, LP & BP filters, control of reverb time scale at Low frequencies, progressive loss of high frequencies at the reverb tail.

FEEDVERB section is an additional Reverberation section for Parallel or Feedback signal processing. It is based on 7 algorithmic reverberation types with High frequency Tone loss at FeedVerb tails, Mid band EQ and Pitch-Modulation of the reverb for a richer sound.
FEEDBACK Warning! If you listen the Oscillation of the Feedback, quickly turn the Feedback level down. Always be accurate with Feedback level control.

The FEEDSHIFT section works like a Feedback Pitch & Formant Shifting. It includes Linked or individual L/R channels, pitch shift control by semitones, Formant shift with keytracking control, frequency quality and latency control of the shift changes, and FREEZE Loop (freeze the current spectrum).

The MAGNET section is a 8-Head Tap Delay with feedback, time and 1-8 Head level control, that helps to create your own rhythms and textures.
The LIMITER section includes limiting signal recovery time control with Drive maximizer up to 60 dB, to compensate for any device section levels or adding some drive.

All product names, artists and bands names, trademarks, and registered trademarks are the property of their respective owners. All company, product, and service names used are for identification purposes only and are not intended to infringe on the copyrights of their respective owners. Use of these names, trademarks, brands, artists’ names does not imply any affiliation or cooperation with or endorsement by them with Turn2on. These product names and descriptions are provided for the sole purpose of identifying the tonal characteristics of specific products that were studied during the sound modeling process and for describing certain types of tones produced with current algorithms.

SEND MODES:

• ONLY MAIN: AlgoVerb section is activated as the main processing part of the device with the Main Tone section. Other sections of the device are disabled
• PARALLEL: The dry signal is routed to the Main Tone.
  The wet signal is routed to the chain:
  AlgoVerb -> Tone Feedback -> FeedVerb -> FeedShift -> Magnet
• FEEDBACK: The dry signal is routed to the Main Tone.
  The wet signal is routed to the chain:
  AlgoVerb -> Tone Feedback -> FeedVerb -> FeedShift -> Magnet -> Feedback Loop to AlgoVerb

MAIN CONTROLS:

• GAIN: Set the output level of the final signal to the device output
• WIDTH: Adjust the stereo width of the wet (processed) signal before the signal comes to the device output
• DRY: Level of the unprocessed (dry) signal sent to the device output
• WET: Level of the processed (wet) signal sent to the device output
• PATCH BROWSER: Open patches in the browser, or save your own patches
• SOFT BYPASS: Switches the effect between Active and Soft-Bypass modes. Variation of effect bypass with fade in and fade out that excludes loud peaks when you enable or disable the effect

ALGOVERB:

Based on the 25 most popular reverberation algorithms in the music industry.
All reverberation types in this section are algorithmic & do not use any IR impulses.
AlgoVerb includes various types of spaces, to place your signal in the mix, from classic rooms and halls, or live spaces to the various popular and well-known hardware reverberation algorithms.

• PRE DELAY: Initial delay before the reverb (0…250 ms)
• SPACE: Scale the size of the room (0…150 %)
• DECAY: Length of the reverb tail (0.1 … 60 sec)
• DIFFUSIOIN: Amount of blurring or smoothing of reflections
• GRAVITATION: Pitch Modulation within reverb for a richer sound
• DEPTH: Mix between the dry (unprocessed) and wet (processed) signal

ALGOVERB ALGORITHMS:

• MDRNVERB (Modern Digital Delay with detailed tail)

• HALLS: Replicates the sound of a concert halls (gigantic size). Perfect to add space to the strings and pads

  • Standart Hall
  • Dense Hall
  • Classic Hall
  • Large Hall
  • Diffuse Hall
  • Sport Hall
  • Back Of Hall
  • Back Row Hall

• ROOMS: Sound of small acoustic spaces, have natural colour and known as most rock’n’roll sounding vibe

  • Classic Room
  • Tight Room
  • Dense Room
  • Absorption (Isolated Room)

• PLATES: Plate is a basically an electro-mechanical device containing a plate of steel, transducers and a contact microphone to pickup the induced vibrations from that plate

  • Classic Plate
  • Reso Plate
  • Flat Plate

• PLACES: Various spaces reverberation

  • Chamber (Speaker & Mic inside of reflective room - bathroom, hallway, stairway)
  • Theater
  • Stadium
  • Dance Floor
  • Garage
  • Underground (Subway station)
  • Taj Mahal (Well-known huge reverberation space from Alesis, Roand and QRS hardware processors)
  • Sndng Cave (Well-known sapce from Son Dong Cave, also presented in hardware processors)
  • Black Space (Iconic Black Space reverberation algorithm)

TONE:

• EDIT TONE: Switch Tone parameters panel between the Main and Feedback signals
• LOW FREQ: Frequency used for reverb time scale at Low Frequencies
• LOW FREQ SCALE: Increase / decrease reverb time aat Low Frequencies
• LOW CUT: HP filter Cutoff frequency
• MID BOOST: Mid EQ boost amount
• MID FREQ: MID EQ frequency
• HIGH CUT: LP filter Cutoff frequency
• HIGH DAMP: Progressive loss of the high frequencies in the reverb tail

FEEDVERB:

7 algorithmic reverberations.

• DECAY: Length of the reverb tail (0.1…60 sec)
• TONE: Progressive loss of the high frequencies in the FeedVerb tail
• FREQ: Mid EQ frequency
• DEPTH: Mix between the dry (unprocessed) and wet (processed) signal
• FEEDBACK:
  • Parallel mode: Sets level of the FeedVerb chain output signal routed to the main output, in parallel of the the AlgoVerb section.
  • Feedback Mode: Sets level of the FeedVerb chain output signal that return to the AlgoVerb section and re-processed before coming to the main output.
• DRY: Level of the unprocessed (dry) input signal sent to FeedVerb output
• WET: Level of the processed (wet) signal sent to the FeedVerb output
• PMD: Pitch Modulation within FeedVerb reverb for a richer sound
• FEEDVERB DIFFUSIOIN: Amount of blurring or smoothing of reflections
• EDIT SWITCH: Switch edit modes on the panel between Mod (Diffusion & PMD knobs) or Tone (Tone & Frequency knobs)

FEEDVERB MODE ALGORITHMS:

Switch between algorithmic reverberation types:
- MDRN: Modern Digital Reverberation with detailed textures of the tail
- CLSK: Classik Digital Reverberation
- PNMD: Panoramized Reverberation (modulation from L to R channel)
- HRZNT: Horizon widening Reverberation
- REZO: Resonated Plate Reverberation
- BLCK: Iconic Black Space Reverberation
- DRAM: Early Reflection Reverberation (Good for drums)

FEEDSHIFT

Pitch shifting of the signal coming from the FeedVerb

• FEED SHIFT:
• LINKED: Set how many semitones to shift the pitch to both L/R channels at the same time
• Individual L/R: Set how many semitones to shift the pitch of the L or R channels individually
• CHANNELS MODE: Switch the L/R channels between the LINKED and Individual pitch- shifting modes
• SHIFT FORMANT: Adjust formants to make the sound source seem bigger or smaller
• SHIFT FORMANT KEYTRACK: How much the formants shift to follow the pitch shift. At zero, formant frequencies are fixed
• DEPTH: Mix between the dry (unprocessed) and wet (processed) signal
• SPEED:
  • MOMENT (Low latency, lower frequency resolution)
  • FAST
  • SLOW
  • DELAY (More clean, better frequency resolution, but bigger latency)
• FREEZE LOOP: Freeze the current spectrum

MAGNET DELAY

• DELAY TAP HEADS: Quantity of the Magneto Tap Delay Heads (from 1 to 8)
• TIME: Delay Time (tempo synced)
• FEEDBACK: Feedback to the delay input to create multiple repeats
• FEEDBACK HEAD: Selects which delay head (output tap) the feedback is taken from
• MIX: Mix between the dry (unprocessed) and wet (processed) signal
• DRY: Level of the unprocessed (dry) signal sent to the output Magneto Delay
• WET: Level of the processed (wet) signal sent to the output Magneto Delay
• HEAD 1-8 LEVELS: Volume of each Head (Delay Tap). Set to zero to disable the Head, saving CPU

LIMITER

• LIMITER ON/OFF: Enable / Disable Limiter
• LIMITER RELEASE: Limiter Recovery Time
• DRIVE: Maximize input level up to 60 dB

UPDATE 1.1.2:

• Bugfix: Clicks when switching between Algoverb Algorithms, Feedverb Modes, change Algoverb or Feedverb Decay values.
• Bugfix: Tone Mid band Level & Frequency knobs ignore some parameter changes

UPDATE 1.1.1:

• Fixed AUDIO I/O connection routing: If the incoming signal is monophonic, in previous versions the outputs of the device was routed automatically as a monophonic output. The processed signal in this case was monophonic by default.
  Now, if you connect mono device, the processed signal is automatically routed to the stereo L/R outputs. Reverberation processing is now performed in stereo spreading mode.
• DEVICE ROUTING ICONS changed: The icons have been changed, and now they show the signal spreading mode.

UPDATE 1.1.0:

• FEEDVERB DIFFUSIOIN: Amount of blurring or smoothing of reflections
• FEEDVERB EDIT SWITCH: Switch edit modes on the panel between Mod (Diffusion & PMD knobs) or Tone (Tone & Frequency knobs)