Version 1.4
- Minor sound quality improvements (noise filter and subsampling)
- Pulse ENV button added, when selected, pulse LFO will never restart at a new note
- more wave effects and patches
Version 1.3
- Improved sound quality: option added at the back panel to configure the quality of the sound, or to use a lower quality with higher performance
- Added noise filter, to reduced the noise at high performance rendering
- Improved performance in the renderer
- Extra filter feature to ‘freeze’ the filter oscillator (not restarting the LFO at each note press)
Version 1.2
- New feature to support the SID 8580 chip version (a little punchier filter)
- Added combinator patches (with SIDmaster skin)
- Add new patches (using the new SID 8580)
- New feature to trigger envelope reset in legato mode (see manual for details), useful for envelopes with zero sustain volume
- Add new waveform arpeggio effects (ramp up / down one octave)
- Bugfix : poly mode when playing 3 notes sometimes muted one note
- Bugfix : when using arpeggio octave effects, transpose was added twice
Version 1.1
- New improved user interface
- New feature to modify the main frequency of the sid master
Version 1.08
- Bugfix: The SID chip (emulation) can’t handle switching one off to note on (gate) or vice versa too fast. Fix added to prevent this
- Added 53 Midi CC automation parameters
- Added some new patches
Version 1.06
- Initial version
The C64 6581 SID chip has 3 voices, each voice has
- Attack Decay Sustain Release control.
- Waveform selection (triangle, sawtooth, pulse, noise, or any combination)
- Pulse width can be modulated by the control wheel.
- Built-in arpeggiator, which can be different per voice
- Waveform effects (alternates waveforms/frequencies sequentially)
- Ring modulation and synchronization options (modulates / synchronizes one voice with another)
- Note transpose and detune
One filter which can be enabled per voice
- it can be configured as lowpass, highpass, bandpass or notch filter
- Cutoff frequency, and resonance, which can be modulated by the control wheel and velocity.
- Resonance can be modulated with the control wheel.
- LFOs for the pulse width, frequency of each voice and one LFO for the filter.
Playmodes are
- Monophone: use all 3 voices simultaneously to create richer, layered sound
- Polyphone: operate as a 3 voice polyphonic synthesizer.
- Keyboard control: pitch bend, legato / slide