Autosub

What’s new in 1.1

• “Octave”, “semitone” and “fine” will now also affect note CV input
• Updated all the knobs to make the shadows look more natural
• Changed “octave” and “semitone” knob to better represent the stepped nature

What’s new in 1.2

• Added polyphony parameter
• Added “Release ASAP” mode (release fader all the way down)
• Various minor bug fixes and adjustments

What’s new in 1.3.x

• Major bug fixes making it what 1.2 should have been

This is the synthesizer to fulfill all of your subbass needs! Ever had the issue that the bass note was too low for actual “bass” to be felt? Autosub is the solution! Set the optimization faders and you’re done. Play whatever note you want and be sure that it will be heard, regardless of the device it is played on!

• “Overtone Compensation” technology: If Autosub notices that a frequency is not important to the feeling of bass, it will turn it down (depending on the setting). This is not just a simple highpass or lowpass filter but a series of tuned algorithms that will not mess with anything except the volume.
• Automatic gain compensation: Autosub does not simply turn down or up individual overtones. Instead, it carefully distributes the gain across them so that the volume will stay the same (note: peak volume may vary slightly).
• Phase-aligned partials: Since Autosub’s partials are all synthesized with additive synthesis, they are all aligned to come together for an impactful bass.
• Alias-free synthesis: The synthesis engine inside Autosub has been tuned to reduce aliasing to a minimum, much below even Reason’s own internal devices.